Spyder Review – AR Murugadoss scripts a fun thriller for Mahesh Babu (Some Spoilers)

If you haven’t seen Spyder, and want no spoilers before you see it, watch this spoiler free review of the film I recorded moments after seeing it.

I warned you ….. SOME SPOILERS AHEAD!!  (but not the whole plot)

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The first thing you should know is that I am a Mahesh Babu fan.  I’ve seen several of his films, and my favorites are probably Athadu (killer disarmed by love!) and Pokiri.  Unfortunately, my first Mahesh Babu film in the theater was last year’s flop Brahmatsovam.   It’s been a long wait for the next Mahesh film, over a year.  I think he took the lessons from that flop, and hooked up with a quality director.  My friend Kartik even sent me a quote from Mahesh about that flop:

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So anticipation has been sky high for this film Spyder.  Expectations, too.  I felt it was a decent film.  Not perfect, but it had some notable sequences that were unique and something fresh I had not seen before.

I walked out of the theater satisfied, and I was surprised that several young men who cared enough to come to the very first 2 p.m. show were disappointed.  Maybe the hype was so high nothing would have been enough.  They said the second half was not a “practical” plot.  I think they wanted a more grounded story, like Pokiri or Athadu.  From the trailer we could see there would be huge boulder rolling down a street crushing cars — and that sequence was certainly in the film.  The last half felt almost like a disaster movie or a superhero film with buildings collapsing and villains wanting to crush people with huge boulders!  So, not realistic, but it didn’t bother me one bit.

Are all those village Telugu dramas with machete fights with one hero fighting 20 men realistic either?

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AR Murugadoss set up a tight cat and mouse thriller between Mahesh and our big villain.  Mahesh is some sort of spy analyst.  I got the sense he worked in the equivalent of the Indian FBI.  He’s monitoring phone conversations ostensibly looking for terrorists and the like, but almost like Minority Report he prides himself on preventing crimes before they happen based on something he’s overheard.  He saves a young girl from being robbed and dishonored by a goon who has convinced her he’s going to marry her out of town.

But then a girl he overhears being scared in an empty house is murdered savagely, along with the woman cop he dispatched to check on her.  And that sends Mahesh into a crisis, and then ultimately on a solo quest to find their killer.

In the first half, we get a tiny little romance track with the adorable Rakul Preet Singh. He overhears her discussing wanting a “blind date” and I think wanting a friends with benefits situation (something that maybe didn’t translate fully in the subtitles).  He stalks her a bit, and she confronts him on it.  But she eventually agrees if he’s not in love with her it will be okay for them to go out.  There is a hilarious scene where she tries to explain this to Mahesh’s mother — who warns Rakul Mahesh is shy, just like his father.  “It took four years of marriage for my son to be born!”  LOL

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There are a few flight of fantasy songs that show their feelings for each other, and a bit of their relationship.  The first song, Boom Boom, I liked much better in the film, than in the teaser snippets we saw.   That’s the first song, and for some reason has all white girl back up dancers!

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When Mahesh goes on a hunt for the killer, he uses a viral video to try to find someone who’s seen him.  This film has a lot of cool use of technology, with scenes of Mahesh monitoring real time cell phone calls, searching through CCTV footage and the like.  It was all very clever, and kind of scary to think how much info these agencies can gather.  There’s a speech in the beginning that the analysts in Mahesh’s office are not to monitor calls for personal reasons, but obviously Mahesh breaks that by listening in and researching Rakul!

The back story of the villain was super creepy and really unique.  I’ve never seen anything like it, as an origin for a sociopath serial killer.  While other reviewers may quibble that this took time away from the main story and slowed down the film, I really liked this segment of the movie.  That kid was a good actor — good at being super creepy and evil!!

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There are actually two villains.  Won’t spoiler why, but they were both good.  Bharat is one, but the big bad is played by S. J. Surya.  He was mostly excellent playing this sociopath killer.  There was on interrogation scene where he really gets crazy and it was over the top for me, but especially this scene above with the mask he was very scary and effective.  Whew!  So good at being evil.

At times in the second half, it felt like he was becoming an over sized super villain like in a comic book movie, though.  Maybe that’s what those young men at my screening were complaining about.  That and the rolling boulder of doom.

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The first half of the film was really good, but there were some logical misses in the plot of the second half.  Rakul not telling Mahesh something crucial because she was in a snit with him was egregious.  Really?  You’re not going to help catch the murderer because you’re mad at your boyfriend?  And there were times Mahesh went alone into a situation when it would have been more realistic if he’d had back up.

There was one segment where he fooled a bunch of ladies who were watching a soap into helping him find a fugitive.  It went on for a long stretch and was pretty over the top, too.  But I do have to acknowledge to Mr. Murugadoss that I have never seen the like!

The CGI in a couple of crucial action scenes was not seamless, but I found the roller coaster fight scene incredible anyway.  Just the concept of it alone!  We get a snippet in the trailer but it was really something to see.  The ending has a building collapsing as Mahesh tries to save people.  That was another part that felt like this was a disaster movie rather than a grounded thriller.  But, still, the film didn’t end with the cliched fight sequence in an abandoned factory.

Mahesh has a preachy speech at the end about humanity and helping others without expecting rewards.  A bit long, and kind of a weird note to end the film on.

There’s also some plot holes as to how Mahesh is just going rogue in his job.  He doesn’t follow privacy rules AT ALL and gets all his buddies to just give him info for his solo investigation.  He’s working around the police and just ignoring their efforts.  He also kills one guy in front of a huge crowd, and seemingly has no repercussions at work or otherwise  It was definitely a take the law into your own hands kind of movie.  I was disturbed at that cold killing scene.  Mahesh’s character just has his own morality compass.  He’s the hero, so he’s always right.  Definitely not an examination of two sides like Vikram Vedha.

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The background score by Harris Jayaraj was incredible.  It kept the tension taught throughout the film.  I have an issue with thrillers that don’t have good enough music to set the mood (Ahem, Malayalam thrillers….),  This score was a standout.

For the most part, AR Murugadoss has given us an exciting thriller with a great villain.  Mahesh just looks so cool in all the action scenes.  He has a couple of great fight segments.  Even the Boom Boom dance number sort of had fight choreography.  I liked Mahesh and Rakul’s chemistry in the songs and their sweet romance, although that isn’t the thrust of the film.  It’s mainly there as some nice comic relief from the darkness in the rest of the film.

Mahesh reacts emotionally to the death of the young girl and police officer in the first part of the film, but other than that does not show the range of emotion that he has in other films.  It wasn’t there in the script for him to do.  The film did have more of a story than a strictly action film like Vivegam, but didn’t pack the emotional punch I usually like in Telugu films.  Still, I left satisfied that I’d had a good rollercoaster ride of my own.

Another unique aspect to the film is that it was filmed in Telugu AND Tamil.  Mahesh is fluent in both languages, so they filmed each scene twice!  I attended the Telugu version (with subtitles, of course.)

If you’re a parent wondering if the film is too violent to bring the whole family, the only violence you really SEE is a couple of impalements.  And Mahesh shooting a guy in the head from a distance.  But there are descriptions of victims being chopped up.

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Mahesh Babu SPYDER full trailer released!

 

Still no subtitles, but Kartik tells me Mahesh is playing the equivalent of an FBI analyst.  The romance track looks so cute!  That boulder shot down the street — THAT I was not expecting.  Hmmm.  I’ll be there first day, first show to see what it’s all about.

Arjun Reddy – An Amazing Telugu Film

Arjun-Reddy-1Many of my commenters on my Pardesi Youtube channel encouraged me to do a trailer reaction for Arjun Reddy, and then the drumbeat started, “When are you going to review Arjun Reddy?  It’s a sensation here!”

I am SO glad these people let me know about this film.  I’m not sure I would have gone to see it in the theater otherwise, and I’ve now seen it twice in one week.  It’s that amazing.

This video review is spoiler free.  I recorded it right after I came out of the screening.

 

I was gobsmacked by the film.  It is unlike any other Telugu film I’ve ever seen.  This is no Masala film.  It is raw and real, both in the story and the dialogues.  It’s a debut director Sandeep Reddy Vanga, and was made on a shoestring budget.   It’s more like an indie film in many ways, and it is a sensation.

There is an intense romance between two medical students played by Vijay Deverakonda and Shalini.  I have never seen a romance with a seduction by pulling the girl out of anatomy class to draw the muscles and bones on her hand.

arjunreddy250717_002Because they are of different castes, here family is adamantly against them.  And then the film becomes very much like a modern Devdas, but it goes places I wasn’t expecting.

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Arjun is a complete hot head, and it’s a cautionary tale on how because he cannot control his rage, he loses everything in his life.

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The actor, Vijay Deverakonda is amazing in the role.  He was willing to show himself wetting his pants during an overdose, something I can’t imagine pretty much any other Indian actor doing (well, maybe Rajkummar or Nawaz).

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The film has intense romantic kissing just as a matter of course.  The freakin’ poster is the kiss.  A politician ripped the poster off buses, and Vijay at the press conference said, “Granpa, chill.”  There’s a real attitude around the film.  It’s not trying to be a film festival art film.  It’s out there, and proud about it.

This is a five star film for me.  It’s that good. It felt realistic in the way that Malayalam films often do.  I felt like the characters were real people and I was seeing inside their lives.  I love a film like Mirchi, too, but there are no machetes or goondas or Masala elements in Arjun Reddy.  Arjun Reddy is intense about his calling as a doctor, about his romance and his friendships.

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Rahul Ramakrishna, who plays Arjun’s best friend, was my favorite secondary character of the film.  He gets some of the best comedic lines, too.  He says at one point something like “People don’t understand what it’s like to be your friend.  It’s like I’m pissing all over myself and only I can enjoy the warmth.”  Amazing!

This is a film that is going to stay with me.  I cannot recommend enough that you try to see this film in the theater with a crowd.  I know I wasn’t getting all the wordplay, but people around me were laughing a lot at the dialogues.

Margaret of Don’t Call It Bollywood and I saw the film together my second time, and then we had an on camera spoiler filled discussion.  ONLY if you’ve seen the film already, should you watch this video.  Seriously, watch the film first, so you experience for yourself.

 

Margaret has on her blog a spoiler free review here, and a spoiler review here.

 

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Movie Review – Rana and Kajal in Nene Raju Nene Mantri

 

After the horrible events in Charlottesville on Saturday, on the spur of the moment, I went to a packed late show of Nene Raju Nene Mantri (I am the King, I am the Minister.)  Whoo boy, it was not an escape from violent politics.

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I did like the film, but the ending, not just the very last moments, but the last ten minutes or so were very much wtf plot turns.  I left shell shocked and so did the audience.  I had to approach some women in the lobby to talk about their reaction to the ending.  I went by myself, and it was one of those kinds of films where you just have to talk to someone and say — what about that ending??  What did YOU think??  So please, if you’ve seen the film, please leave a comment and tell me what your takeaway was from that ending.

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It was just delightful to see the chemistry between Rana and Kajal.  This is a tour de force film for Rana Daggubati, but Kajal gets to show depths of acting that I have not seen in her other roles, especially in the melodramatic scenes.  Rana starts the film very sweet – he’s a money lender, but a soft hearted one who helps poor farmers, not the kind who bashes heads to demand payment.

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We don’t see the romance of Kajal and Rana, but do see a flashback of them as childhood sweethearts.  The film shows them as an established happily married couple.  Jogendra (Rana) is obsessed with keeping his Radha (Kajal) happy.  When a tragedy befalls them, then he is hell-bent on revenge.  He sees a path through politics to gain the power he needs to rain down justice.  But then the power corrupts him as he climbs up the political ladder.  Nothing and no one can stand in his way.  He says it is from the love of his wife, but she points out that that is not really true.

Frankly, Jogendra becomes a monster.  I felt like it was an abrupt change of his personality when the tragedy happens, but the descent thereafter was somewhat believable as the power corrupts him more and more.  The last 10 minutes though.  Yowza.  I’ll leave this spoiler free, but again, please comment if you saw it!!

It was a worthy film to see, and Rana gave a great performance showing a range that he wasn’t able to fully show in the Baahubali films.  The people in the packed theater were there to see him, and I’m looking forward to see where he goes next in his career.  While the director Teja, tried to give a critical look at a corrupt political system, where he took it left me rather stunned as he showed crowds sympathizing with the extremes of Jogendra’s acts.

What was also fun for me was now that I’ve seen more Telugu films that just about every character actor in the industry had at least a small part in the film.  There was a lot of “Hey, it’s that guy!” for me.

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Ninnu Kori – Wonderful Chemistry between Nani and Niveda Thomas

I went to see this Telugu film, Ninnu Kori (Wanting You) with Margaret of Don’t Call It Bollywood, going in knowing nothing.  Margaret had heard it was a good Rom Com, so I took a chance.  It was a delightful Telugu Rom Com with great chemistry between the leads Nani and Niveda Thomas.  Go here to read Margaret’s review.

 

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It was driving me crazy where I had seen Nani before — and at the interval I asked Margaret, and she reminded me Nani was the the hero in Eega!

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The first half is fantastic and I loved the meet cute between Nani and Niveda.  Nani’s dancing is also terrific.  Character actor Murli Sharma who normally plays cops, is Niveda’s stern father, and it was great to see him in a comedy role like this.  The initial conflict in Niveda and Nani’s relationship is quite believable.

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The love triangle with Aadhi is where I started to have issues.  Maybe it’s just my American sensibilities, but the first half was SO great, that the resolution of the film was a let down.  I felt like the screen writers were forced to tell a more traditional story ending, and they didn’t sell it to me as Niveda’s HEA.

Still, I really enjoyed seeing Nani and Niveda on screen together, and I’ll definitely be seeking out more films from both of them.

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I watched both of Allu Arjun’s films Arya and Arya 2 to get ready for DJ

Several commenters on my reaction to the trailer of Allu Arjun’s new film DJ told me I should watch Arya 2 and Arya.

I’m super excitecd for DJ now after seeing Arya (2004) and Arya 2 (2009) over the last 2 days.  Only Arya 2 is the MUST see movie, but you should watch the
opening dance number of Arya, to get a sense what a great dancer Allu Arjun is.  Arya was his breakout film, and the debut blockbuster for director Sukumar — the guy who directed 1: Nenokkadine!
Like most Indian “sequels”  Arya 1 and Arya 2 are not continuations of the same story thread, but variations on the same theme.
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Arya 1 has Arjun playing Arya, and he’s in a love triangle with Geeta and Ajay and the setting is college.  Ajay is your typical college tough stalker.  He decides Geeta will be his and threatens suicide to make her date him..  Ugh.  Arya loves Geeta but expects nothing in return.  He even helps to get Ajay and Geeta togehter, etc. when her father wants her to marry someone else.  Geeta is played by a former model, and she has only one basic expression the entire film — looking miserable.  She has the charisma of a wet dishrag.  Ajay is your basic evil boyfriend.   Arya (Allu Arjun) carries the entire movie by sheer force of his cheerfulness, charm and excellent dance numbers
Seriously, Allu Arjun is THE best Telugu dancer I have seen yet.  He dedicates Arya 2 to Michael Jackson, and he can MOVE.  This dancing ability leads to great action sequences, because he’s really acrobatic in his kicks and so on.
I thought I had to watch Arya 1 to get Arya 2, but it’s not necessary as Arya 2 is a stand alone film, and not a continuation of the first film’s story.  It’s amusing enough, and was a blockbuster hit at the time, but not nearly as enjoyable as the second film.  The heroine is just so passive you want to scream, and the plot fairly regressive — except for Arya‘s selfless love.
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It just made me appreciate Arya 2 all the more.  To see how Allu Arjun had grown as a dancer and actor and the director!  .  I’m really glad I waited until now to watch Arya 2, because it is just that much more funny to me now!
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Arya 2 is brilliant, because it is a total riff and send up of all the usual Telugu movie tropes.  And it makes fun of them all, while referencing Darr and even has a white dog at a wedding JUST like the one in HAHK!  But what the director does with the dog in the scene just had me in stitches.  The whole movie is very entertaining, if a tad long.
First off, we start with Arya and Ajay as fellow child orphans and there is something off about Arya.  He demands to be Ajay’s friend, and is a psycho possessive kind of friend.  The whole movie is taking that brotherly Dost bond to the far reaches of the extreme.
They fall in love with Geeta at the exact same moment — and she’s played by Kajal who I LOVE, so she’s a spitfire and not a dishrag.  They actually flip a coin for her, again riffing on sexist Telugu tropes over and over again, and mocking them.
There’s the forced wedding, the battling families, and on and on.  And throughout Arya is mostly completely off his rocker, and yet still mostly likeable!  It’s a great performance.  And so great of the director to make the main character with negative shadings — he has his blown up Darr sized picture wall of Geeta in his room and all.
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The whole set up is in a way similar to the first movie — Arya has a struggle between his love of Geeta and this time his possessive love of his friend Ajay.  He wants them to be happy, and works to make it possible for them to be together — while occasionally slapping his own face to remind himself, “Have to give Geeta back to Ajay, Have to give Geeta back to Ajay…)  Also, Ajay is not a cardboard villain type.  You go back and forth in and out of sympathy with his shades of gray third wheel character.  Kajal is sometimes a spoiled brat — and has a penchant for throwing down cell phones and breaking them, which I found to be a very funny running gag.
Don’t expect an emotional rollercoaster with crying and pathos.  Expect to laugh and laugh — and be delighted by the clever action scenes, and the allusions to so many other films.
That comedy uncle guy, Brahmanandam is in it as the HR manager of Ajay’s tech firm where they all work, and he has a toned down performance — and was really good!  I actually liked him in this one!
This Arya 2 number is just jaw dropping AMAZEBALLS!!   Allu Arjun’s dancing is off the chain!
I’d still say that Prabhas is my number one in Telugu films, and Mahesh second.  Alllu Arjun has the best dance skills by far, and real comedic chops, though.

Rarandoi Veduka Chuddam Video Review – Naga Chaitanya’s new family drama film with Rakul Preet Singh

Rarandoi Veduka Chudham (Come, Let’s Watch the Spectacle) is an enjoyable family drama starring Naga Chaitanya and Rakul Preet Singh.  This I believe is their first film together, and the first time I’ve seen Rakul in a film.

This film is put out by Naga Chaitanya’s family banner, and he did well in the film, but frankly, I enjoyed his 2016 films Premam and Sahasam Swasaga Saagipo much more.  The first half of this film is slow, but it’s saved by the last hour or so of the film when the conflict comes to a head.

I also enjoyed seeing Jagapathi Babu again as Naga’s father.  He was Mahesh Babu’s father in Srimanthadu.

 

 

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Just How Much Do I Love Bahubali?

A LOT!  That’s how  much I Love Bahubali.  (Is it Baahubali or Bahubali??)  It is one of my favorite films of all time, not just of Indian films.

My next door neighbor Nish two years ago asked if I’d want to go to this South Indian film her coworkers had said was really good.  Sure.  I’m in.  Then we go and the price was $20!  Twice the normal movie ticket price.  “This better be worth 20 bucks!”

Oh. My. Gosh.  It SO was.  I unabashedly fell in love with the film, and I ended up seeing it 4 times in the theater alone.  I can’t even count how many times I’ve seen the film since it became available on Youtube.  I own the Hindi dub on Blu-ray, but I can’t really stand to watch it without my beloved Prabhas’ own voice.  (For the love of all that is holy Rajamouli, make the Telugu available on Blu-Ray!!)

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This image was my Ipad lock screen for two years, until I replaced it with a new image from Bahubali 2.  I fell in love with Prabhas from this movie, and now own several of his films on DVD.

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I was captivated, jaw hanging open from the opening sequence with that huge waterfall and the kick-ass queen fighting two soldiers with an arrow sticking out of her back — while holding a newborn!

The visuals in this film just knocked my socks off.  I don’t know how many times I watched the Dhivara video!   I explain this film to people who don’t watch Indian film as The Lord of the Rings of Indian Cinema.  It’s mythic and grand in scale with fantastic CGI world building.  S. S. Rajamouli is quite simply a genius filmmaker.  He has a huge vision, and he’s one up on Peter Jackson because he wrote the damn story himself, instead of just adapting a series of books.

After I saw Bahubali, I sought out Rajamouli’s other films, and I was even more gobsmacked.  Who else but the master, S. S. Rajamouli would reincarnate his hero as a FLY?

Even his early film Chatrapathi with Prabhas showed crazy imagination.  Prabhas introduction scene has him fighting a SHARK!

 

Bahubali has amazingly compelling characters.  Prabhas even gets to play two!  Shivu and his father Bahubali in the flashback second half. My personal favorite is the queen Sivagami, who raises both her own son Bhalla and Bhahubali:

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This scene after she squashes a rebellion, knifes an attacker while holding a newborn (!!) and then nurses both infants after mounting the throne is my favorite!  I love her!

Rajamouli has made a film with strong women characters even though the main thrust of the narrative is Prabhas’s story, both as Shivu and Bahubali.  Yes, there is that problematic scene that some call a rape, but my first take was the same as Margaret of Don’t Call It Bollywood’s.  Tamannah’s warrior is living a harsh life devoid of beauty and joy, and Shivu delights in showing her beauty and love.  And that sexy nibble of her jewelry on her belly gets me every. single. time.

 

I love all the music of the original Bahubali film, and tortured my family by listening to the soundtrack non-stop for weeks and watching the videos over and over.  Especially Manohari.

 

The film does have a few flaws.  For my birthday last summer, I sat down my two younger sons and had them watch the film with me -the only Indian film they’ve ever seen.  (Mother’s Day this year will be all three of my sons going to the theater to see Bahubali 2.  I’ve warned them this is my present!)  My son Zach really liked the Avantika character, but then was upset that she just gets that hurt ankle, and as he put it, “Then, nothing!”  I’m holding out some hope she will have a strong part in the Bahubali 2, but the trailer seems to mostly emphasize the romance with Anushka from Bahuabli’s past.

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And then there’s the racism.  Really, Rajamouli?  Actual blackface on the villain Kalakeya tribe?  Ugh.

The battle scene in the second half also goes on for a very, very long time.  Yes, it’s super cool, but frankly, I’m more interested in these characters than watching Gladiator movie style battles go on and on.

Watching Bahubali set me on a journey of watching more Telugu films, starting first with the older films of Prabhas and Rajamouli.  I’ve learned about comedy uncles, and machete fight ratings, and on.  I kind of like all the violence and the machismo and larger than life Telugu star heroes.  The comedy uncles I could mostly do without, to be honest.

I even dragged Margaret of Don’t Call It Bollywood to her first showing of Bahubali (No, you HAVE to see this one!) and then she surpassed me by seeing it what, SEVEN times in the theater alone?

The first Bahubali movie was such a phenomenon.  All over India, and all over the world.  It’s been a long wait, but tomorrow I will finally learn #WKKB – Why Kattappa Killed Bahubali!  I have my $40 IMAX ticket purchased already to the first day, first matinee show of Bahubali 2 at my local theater.  I am beyond excited that it is releasing on IMAX!

 

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Ye Maaya Chesave – Sweet early romance drama with Naga Chaitanya and Samantha Prabhu

Serendipity smiled down on me.  I’ve been so busy with holiday nonsense that I haven’t had time to watch movies much the last few weeks.

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 I actually have owned this movie, Ye Maaya Chesave (What Magic Have You Done — a very appropriate title) for months.  I bought it in a DVD bundle when I took a chance on a Bhavani DVD order.  Another movie in the bundle, starring Nagarjuna in King, I did not like that much and this other DVD got pushed to the back of the pile.  I was looking for something else this week and came upon it.  When I ordered it, I did not know either actor in that front cover pic, but they sure look familiar to me now!
This was Samantha Prabhu’s first movie! This was only Naga Chaitanya’s second film from 2010.  That’s why it was bundled with his father’s movie!  Evidently, it was a huge Telugu hit.  The director, Gautham Menon just directed Chaitanya again in that movie I saw in the theater last month, Sahasam Swasaga Sagipo   (FYI, if you don’t know Samantha and Chaitanya recently got engaged in real life.)
I will tell you straight out that both leads show that this is an early film.  There’s sort of a fidgeting to some scenes like they don’t quite know what to do with themselves — they don’t yet have that confident screen presence they do now.
ye-maya-chesave-movie-stills-_26_But there are a few scenes that are just pure magic! The awkwardness and how young they look fit with the characters.  Poor Chaitanya has got acne, and Samantha is so baby-faced!
The movie starts in a church and Jessie (Samantha Prabhu) is the bride, and Karthik (Chaitanya) is sitting in the pews with his head in his hand. “Why did I have to fall in love with Jessie?”  And, flashback for half the movie.
It’s young first love.  Forbidden love because she’s Christian and he’s Hindu.  He’s a jerk in front of her brother and father and they hate him.  But oh my gosh the young love is so sweet, but sometimes with a little edge to it.  Karthik wants to be a film director and doesn’t have a job, which on top of being Hindu does not endear him to Jessie’s dad.  Poor Jessie’s only been allowed to see five films her whole LIFE.  (Also, nice twist that the girl is two years older than the boy.)
Real life director, Puri Jagannadh (Pokiri), cameos as the director on whose film Karthik finally gets a job as an assistant director.
There are many twists to the story.  Karthik is a jerk and needs to grow up in the worst way.  Jessie needs to get a spine at moments, but then does so in spectacular fashion.  It’s one of those movies that feels both like a real complicated relationship, and also so filmi with moments for love songs that just sweep you away.
The ending is just filmi swoon inducing.  I had to play the last 10 minutes all over again when I finished because this one speech of Karthik’s at the end —  just the best.
The music is all A R. Rahman and is an awesome soundtrack.  This director films his movies in Tamil and Telugu at the same time — but with different casts.  I was absolutely tickled at the exotic locale for this fantasy song when he’s first falling — Princeton!!
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I really loved how the song Kundanapu Bomma was edited into the film.  Karthik is having this fantasy of sweeping Jessie off her feet and taking her in his arms and kissing her.  And the action goes back in forth from the fantasy to the reality of his first tentative kisses, and then the slap he gets!  (I’ve marked the video about where that bit starts.)
Evidently Samantha the actress is half Telugu and half Malayalam, and her character is as well.  So key parts of the movie are in Kerala.  The wedding scene with her bridal boat approaching the big white church is just stunning.  I got a kick out of fish out of water Telugu Karthik and his friend to make their way in Kerala.  “Guys in colored lungis are going to beat us up, Karthik, why do we have to go to Kerala?!” 
1323341228631871Thanks to this film, I now have maybe my all time favorite line in an Indian movie.  When the two lead characters meet in Central Park in NYC, they hug and then the guy says, “This is America!  I can kiss you in the middle of the road!”  And he does, repeatedly.
So glad I own this one but I found the whole thing is on Youtube with subs!
I’m going to tell my husband “This is America!  I can kiss you in the middle of the road!”
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