OK Jaanu – Adiya Roy Kapur is adorable in this decent remake of OK Kanmani

1484213488_ok-jaanu-review

I’ll be honest that I’ve been dreading OK Jaanu [OK Darling] because I love OK Kanmani so very much.  I went to an A. R. Rahman concert in Chicago and I heard the song Mental Manadhil for the first time, and I was completely blown away.  Rahman played this video while he sang the song, and I just had to see this movie.

OK Kanmani is a Mani Ratnam Tamil movie about two young people who are working in Mumbai, and thrilled to find another Tamil speaker.  I didn’t know at the time that Dulquer Salmaan is actually from Kerala and known for his Malayalam films.

tumblr_nr2tprbufs1rhwfb2o1_540
So Adorable!

I’ve become like all those people in South India — the Southern original is so much better!  There is an undeniable magic to the Mani Ratnam Tamil original.  The chemistry between Dulquer Salmaan and Nithya Menen is amazing.  And it’s one of my all time favorite A. R. Rahman soundtracks.  I listen to it all the time.  O Khadal Kanmani is the movie that started me on my journey of watching Malayalam films, because I just had to see what other films Dulquer and Nithya had done, which led me to Bangalore Days and on and on.  It all started with the Tamil OK Kanmani, which I have watched multiple times.

hqdefault-7

So, I had trepidation about OK Jaanu.  I like Aditya Roy Kapur okay, and Shraddha Kapoor.  I saw Aashiqui 2, and they do have decent chemistry together.  Then the Humma song came out, and I got excited.  The song from this scene in the original movie is cute, but one of the weakest of the Tamil soundtrack.  This is waaay sexier.

Then, something happened a week ago.  My father became very seriously ill and he has been in ICU at the hospital for this entire past week.  It’s been incredibly stressful, but he seems to have come out of the crisis.  I’ve been exhausted and spending all my time at hospital with my parents.  When I’ve had a moment to wind down, I’ve turned to Bollywood song videos as my sort of comfort food.  And tonight, I decided I deserved a break, and went with a neighbor to OK Jaanu.  It was just what the doctor ordered.  It took me away from all my cares and worries for a few hours.

maxresdefault-18

I think this is the best movie I have seen Aditya Roy Kapoor do.  He was truly adorable.  Because I know Dulquer’s performance in the original so well, I could tell when he was even trying to match Dulquer’s mannerisms, but he made it his own.  Shraddha is no sparkling Nithya but she was good enough.   Aditya was good in Aashiqui 2 and, not horrible in Fitoor (that movie had other problems), but I like him so much better quirky and cute like this than brooding and angry.  I’m also one of the few people who liked most of Daawat-e-Ishq.  (Not Aditya’s best look, but I still love this title song!)

The plot of OK Jaanu is basically identical to the original.  Adi (Aditya Roy Kapur) is a young video game designer who has just arrived in Mumbai, and is staying in a room of the house of his brother’s former boss (Nasureedin Shah).  Nasureedin’s wife has Althzeimer’s.  Adi meets Tara and a torrid romance begins, but they both vow they never want to marry.  He’s determined to move to the US, and she wants to study architecture in Paris.  They convince Adi’s landlord to let them live in sin together in his room.  All comes to a head when they both have to leave to follow their careers — will they choose love or their career?  It does have a fantastic message that a girl shouldn’t have to give up her career for marriage — her career is just as important.

 

Some of what made the original special is lost in the Hindi translation.  Part of what drew Adi and Tara together was that they were two Tamil speakers alone in the big city of Mumbai.  That plot point is gone. Naseeruddin Shah is of course his excellent self, but I so adored the big hulking Prakash Raj, who so often plays the big villain, being the tender devoted husband to his ailing wife in the Tamil OK Kanmani.  The sets are certainly bigger and more expensive looking.

One thing that is a welcome addition are the new songs.  Enna Sona, sung by Arjit Singh is gorgeous, and the film turns black and white during this sequence as Adi is missing Tara while she’s away on a work trip.

My neighbor thought OK Jaanu was better than the original.  But she doesn’t really speak Tamil (her husband does) and watched it without subtitles.  She said Dulquer Salmaan’s accent was so thick she couldn’t understand him.  The original will remain one of my favorite films, and if you live in the US, I urge you to watch it on Netflix.   But, the Hindi remake is quite enjoyable.  It’s partly my frame of mind with all I’ve been going through but, this movie allowed me to forget my troubles for a few hours.   Thank God for Indian Cinema and that it is there whenever I need it.  I told my husband what a comfort it is to me in times like this.  I think I’m being more generous than some other reviewers may be, so sue me.  It’s no hardship to watch Adiya being this adorable for a couple hours!

ok-jaanu-movie-review-759.jpg

star_rating_4_of_5

 

Paheli – My Kind of Ghost Story

shahrukh-khan-087-01

Paheli, Shahrukh Khan’s 2005 movie about a ghost or spirit is one of my all time favorite Shahrukh Khan movies, even if it is not one of his blockbusters.  It’s not a scary Halloween movie (like maybe Darr, which is more creepy than scary), but it does have a ghost!  Paheli means riddle.

paheli1_10x7.jpg

Fantasy film seem to be unusual in Hindi cinema, and in this film Shahrukh Khan plays both a number counting merchant husband, and a bhoot, or a ghost or spirit (sort of a genie, really) who takes his place.  Rani Mukerji is the bride who captivates the Ghost, with Amitabh as a wise shepherd in a cameo.  It’s a fable that is also about women’s empowerment, and the scene where SRK tells Rani he’s a ghost is one of my all-time favorites.  She laughs at first, because it sounds ridiculous!  But her real husband barely noticed her, and wouldn’t sleep with her on their wedding night, but this ghost is obsessed with her every since he saw her at the well he haunted.

He could have lied and just taken her in the guise of her husband, but he loves her enough to give her the choice.  Swoon!

paheli2

Rani and SRK have always had great chemistry, but man do they smolder in Paheli.  Yowza.

The costumes are just stunning, and the music in the film is just fantastic:

 

Amitabh Bachchan has a fun cameo as the wise shepherd who must solve the riddle of the two husbands.  Juhi Chawla, who co-produced the film, plays Rani’s sister-in-law whose husband (Sunil Shetty) had disappeared.  Naseeruddin Shah and Ratna Pathak play puppet narrators and of course Anupam Kher is the father.

tumblr_n1rdaglgnt1qmz4s4o1_1280I love Shahrukh in double roles and these two roles he makes completely separate people.  The husband is comedic and obtuse, and the ghost playful and sultry.

tumblr_lovmacpmnp1qlxr9ao1_500

Plus, I love the idea of a ticklish ghost!  Paheli has been overlooked but I love it.  And I love its message of female empowerment and choice.

star_rating_4-5_of_5

 

Omkara – Shakespeare’s Othello works extremely well in this modern Indian adaptation by Vishal Bhardwaj with a stellar cast

omk6d

I was blown away by Vishal Bhardwaj‘s Haider, an  incredible adaptation of Shakespeare’s Hamlet starring Shahid Kapoor.  Omkara is part of his Shakespeare trilogy (Maqbool, Omkara, Haider).  Omkara works extremely well as a modern adaption of Othello in rural Uttar Pradesh India.  This is a stellar cast, and some of the best performances I’ve ever seen of some of these actors.  I have been sitting on this DVD for Netflix for some time.  I knew it was going to be excellent from everything I’d read, but it is such a depressing story!

I think I read Shakespeare’s Othello play in school, but to be honest I’m more familiar with Verdi’s masterpiece opera Otello, which I’ve seen a few times at the Lyric Opera in Chicago.  Otello focuses much on the relationship of Desdemona and Otello and the intense emotions and drama lend themselves very well to opera.  It became a signature role for Placido Domingo, even if it’s a bit bizarre to see blackface in a modern stage production.  Giuseppe Verdi is like Vishal Bhardwaj in that he adapted Shakespeare in three Italian language operas:  Macbeth, Otello and his final opera Falstaff.

The music added to a play like Othello only enhances the inherit drama, and if it works so well in opera, then I knew it would translate well to an Indian drama.  The music enhances the contrast between the love between Omkara (Ajay Devgn) and Dolly (Kareena Kapoor) and then the final death scenes.

Otello the opera starts in the middle of Shakespeare’s play and skips the early statecraft plot points, and the bits with Desdemona’s (Dolly’s) father.  But Bhardwaj keeps that all in, to great effect.  The opening scene shows Langda (Saif Ali Khan) [Iago]  telling Dolly’s groom Raj that his bride Dolly is not going to show for the wedding, Omi (Omkara) has stolen her away.  There’s then a confrontation between Dolly’s father, and Omkara.  Ajay has a dramatic entrance wearing a black shawl that looks like a big cape.  Dolly’s father doesn’t intimidate him in the least, and then there is a scene where Dolly admits to her father she went willingly to elope with Omi.  Ajay Devgn is naturally darker skinned than many actors in Bollywood and Kareena Kapoor has very light skin.  The Indian update to Othello being a “Moor” is that Omkara is half-caste, his father a Brahman and his mother a low-caste mistress.

Omkara (Ajay) is described as a Bahubali.  When I first heard this word in the movie, my ears pricked up because I’ve never heard the word except, of course, in the Telugu blockbuster Bahubali.  In the subtitles of Omkara, it’s translated as General.  I looked up the wikipedia article and this is how Omkara’s character is described:

Omkara Shukla or Omi (Ajay Devgan) is a bahubali, a sort of political enforcer. He is the leader of a gang which commits political crimes for the local politician

So interesting!  As I thought that was a Telugu word specific to Rajamouli’s movie.

coronation scene omkara

Omkara is a powerful political goon, and Langda (Iago) and Kasu (Cassio) are his lieutenants.  After Omkara elminates a political rival, their Bhaisaab (Naseeruddin Shah) is going to be the next representative at the national level, and Omkara will take his place at the state level.  There’s a ceremony to name Omkara’s successor, and the younger Kasu is picked to be the next bahubali over Langda.  Kasu is picked because of his connections to the youth and college students.  This is the source of Langda’s plotting and burning jealousy, that he was overlooked for this promotion, just as in Othello.  Again, the parallels Bhardwaj draws to the rough and tumble of Indian politics work so well, and this is definitely a realm of people taking offence to violent deadly extremes over slights of honor.

We’ve seen Omi (Ajay) be dominant, and quick to kill when someone offends him or insults his relationship with Dolly.  But we also see what a different loving person he is with Dolly.  Bhardwaj also composed all the music in the film.  This love scene has Omi coming to Dolly in anger after seeing her with Kasu, but her singing him an English love song (very badly) spurs this teasing chasing scene.  It’s one of my favorite sequences in the whole film.  With no one else can Omi show this tender side of himself. But one key difference in Omkara to Othello is that Omi does not marry Dolly right away.  He has abducted her, taken her to his home village and seduced her but drags his feet a bit on the wedding itself.  So Dolly is in a very precarious position, separated from her family.

saif-in-omkara

Saif Ali Khan is so excellent as the diabolical Langda.  (Langda means limp in Hindi, and he is described as having a leg and a half.)  He is Omi’s most trusted lieutenant and advisor, and cannot abide being passed over for the young Kasu.  I am really not a Vivek Oberoi fan to be honest, but he was perfectly cast as Kasu.  Saif also is no pretty boy here.  His teeth are stained from betel leaves, and he has a roughness about him, not his usual suave film persona.

saif and ajay

This is Saif Ali Khan’s finest role ever, in my opinion.  I think he mostly does action movies like Phantom at this point, and I wish he would not be so lazy and take on more work like this.  When he wants to, he really has the stuff.  He relentlessly manipulates Omi into thinking Dolly is cheating on him, gets Kasu drunk to disgrace him and so on.  When you have Ajay as Omkara, you need a worthy Iago, and Saif is just fantastic as Langda.  You hate his guts utterly, but admire the acting.

hqdefault

I don’t have to tell you the outlines of the plot, and it’s pointless to talk about spoilers with a plot hundreds of years old.  But it’s interesting the Indian touches that Bhadwaj adds to the story.  Instead of the damning handkerchief of the original play, there is an heirloom bridal belt adornment that Omi gives to Dolly to wear, Langda steals and gives to Kasu, who then gives it to his girlfriend (Bips, our item girl.)  Omi completely loses his shit when he sees this loose woman shaking her tail feather wearing the family’s heirloom.  There’s also a clever modern touch with stolen cellphones leading to further misunderstandings.

Omkara 19

Kareena plays the innocent Dolly so, so well.  She’s completely loving, and just bewildered at Omi turning on her.  But she has her honor, too.  In their final scene, when faced with Omi’s wild accusations of adultery on their wedding night, she says, “Then  you’ll have to kill me.”  It’s devastating.

Ajay Devgn can be so brutal on film.  We’ve seen him play many mafia type leaders in movies.  If there’s any actor that can play someone who the audience believe would kill his own bride in a fit of jealous rage, Ajay is the one who can truly pull it off.  But Omkara shows his tenderness, his quick temper, and then his utter desolation as the truth of Langda’s machinations are revealed in the final scenes.

g9

I don’t really remember if Othello’s sister had as large a role in the original play, but she warrants his final duet in Otello the opera.  Konkona Sen Sharma is a standout in a stellar cast in Omkara.  She is Langda’s wife Indu, and a tough woman in her own right.  She is a friend and support to Dolly, willing to battle her brother when she sees Dolly bruised.  And it’s not Omi that finally serves justice on Langda but Indu.  Thank you Bhardwaj for including that and giving Konkona Sen such a powerful moment.  In the original play, his wife is what leads to Iago’s arrest, but that’s not the kind of swift justice meted out in Omi and Indu’s village.

This film is dark.  Almost relentlessly so, but the acting performances are absolutely fantastic.  This film won award after award, and rightly so.

Four and a half stars out of five.