Spyder Review – AR Murugadoss scripts a fun thriller for Mahesh Babu (Some Spoilers)

If you haven’t seen Spyder, and want no spoilers before you see it, watch this spoiler free review of the film I recorded moments after seeing it.

I warned you ….. SOME SPOILERS AHEAD!!  (but not the whole plot)

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The first thing you should know is that I am a Mahesh Babu fan.  I’ve seen several of his films, and my favorites are probably Athadu (killer disarmed by love!) and Pokiri.  Unfortunately, my first Mahesh Babu film in the theater was last year’s flop Brahmatsovam.   It’s been a long wait for the next Mahesh film, over a year.  I think he took the lessons from that flop, and hooked up with a quality director.  My friend Kartik even sent me a quote from Mahesh about that flop:

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So anticipation has been sky high for this film Spyder.  Expectations, too.  I felt it was a decent film.  Not perfect, but it had some notable sequences that were unique and something fresh I had not seen before.

I walked out of the theater satisfied, and I was surprised that several young men who cared enough to come to the very first 2 p.m. show were disappointed.  Maybe the hype was so high nothing would have been enough.  They said the second half was not a “practical” plot.  I think they wanted a more grounded story, like Pokiri or Athadu.  From the trailer we could see there would be huge boulder rolling down a street crushing cars — and that sequence was certainly in the film.  The last half felt almost like a disaster movie or a superhero film with buildings collapsing and villains wanting to crush people with huge boulders!  So, not realistic, but it didn’t bother me one bit.

Are all those village Telugu dramas with machete fights with one hero fighting 20 men realistic either?

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AR Murugadoss set up a tight cat and mouse thriller between Mahesh and our big villain.  Mahesh is some sort of spy analyst.  I got the sense he worked in the equivalent of the Indian FBI.  He’s monitoring phone conversations ostensibly looking for terrorists and the like, but almost like Minority Report he prides himself on preventing crimes before they happen based on something he’s overheard.  He saves a young girl from being robbed and dishonored by a goon who has convinced her he’s going to marry her out of town.

But then a girl he overhears being scared in an empty house is murdered savagely, along with the woman cop he dispatched to check on her.  And that sends Mahesh into a crisis, and then ultimately on a solo quest to find their killer.

In the first half, we get a tiny little romance track with the adorable Rakul Preet Singh. He overhears her discussing wanting a “blind date” and I think wanting a friends with benefits situation (something that maybe didn’t translate fully in the subtitles).  He stalks her a bit, and she confronts him on it.  But she eventually agrees if he’s not in love with her it will be okay for them to go out.  There is a hilarious scene where she tries to explain this to Mahesh’s mother — who warns Rakul Mahesh is shy, just like his father.  “It took four years of marriage for my son to be born!”  LOL

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There are a few flight of fantasy songs that show their feelings for each other, and a bit of their relationship.  The first song, Boom Boom, I liked much better in the film, than in the teaser snippets we saw.   That’s the first song, and for some reason has all white girl back up dancers!

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When Mahesh goes on a hunt for the killer, he uses a viral video to try to find someone who’s seen him.  This film has a lot of cool use of technology, with scenes of Mahesh monitoring real time cell phone calls, searching through CCTV footage and the like.  It was all very clever, and kind of scary to think how much info these agencies can gather.  There’s a speech in the beginning that the analysts in Mahesh’s office are not to monitor calls for personal reasons, but obviously Mahesh breaks that by listening in and researching Rakul!

The back story of the villain was super creepy and really unique.  I’ve never seen anything like it, as an origin for a sociopath serial killer.  While other reviewers may quibble that this took time away from the main story and slowed down the film, I really liked this segment of the movie.  That kid was a good actor — good at being super creepy and evil!!

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There are actually two villains.  Won’t spoiler why, but they were both good.  Bharat is one, but the big bad is played by S. J. Surya.  He was mostly excellent playing this sociopath killer.  There was on interrogation scene where he really gets crazy and it was over the top for me, but especially this scene above with the mask he was very scary and effective.  Whew!  So good at being evil.

At times in the second half, it felt like he was becoming an over sized super villain like in a comic book movie, though.  Maybe that’s what those young men at my screening were complaining about.  That and the rolling boulder of doom.

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The first half of the film was really good, but there were some logical misses in the plot of the second half.  Rakul not telling Mahesh something crucial because she was in a snit with him was egregious.  Really?  You’re not going to help catch the murderer because you’re mad at your boyfriend?  And there were times Mahesh went alone into a situation when it would have been more realistic if he’d had back up.

There was one segment where he fooled a bunch of ladies who were watching a soap into helping him find a fugitive.  It went on for a long stretch and was pretty over the top, too.  But I do have to acknowledge to Mr. Murugadoss that I have never seen the like!

The CGI in a couple of crucial action scenes was not seamless, but I found the roller coaster fight scene incredible anyway.  Just the concept of it alone!  We get a snippet in the trailer but it was really something to see.  The ending has a building collapsing as Mahesh tries to save people.  That was another part that felt like this was a disaster movie rather than a grounded thriller.  But, still, the film didn’t end with the cliched fight sequence in an abandoned factory.

Mahesh has a preachy speech at the end about humanity and helping others without expecting rewards.  A bit long, and kind of a weird note to end the film on.

There’s also some plot holes as to how Mahesh is just going rogue in his job.  He doesn’t follow privacy rules AT ALL and gets all his buddies to just give him info for his solo investigation.  He’s working around the police and just ignoring their efforts.  He also kills one guy in front of a huge crowd, and seemingly has no repercussions at work or otherwise  It was definitely a take the law into your own hands kind of movie.  I was disturbed at that cold killing scene.  Mahesh’s character just has his own morality compass.  He’s the hero, so he’s always right.  Definitely not an examination of two sides like Vikram Vedha.

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The background score by Harris Jayaraj was incredible.  It kept the tension taught throughout the film.  I have an issue with thrillers that don’t have good enough music to set the mood (Ahem, Malayalam thrillers….),  This score was a standout.

For the most part, AR Murugadoss has given us an exciting thriller with a great villain.  Mahesh just looks so cool in all the action scenes.  He has a couple of great fight segments.  Even the Boom Boom dance number sort of had fight choreography.  I liked Mahesh and Rakul’s chemistry in the songs and their sweet romance, although that isn’t the thrust of the film.  It’s mainly there as some nice comic relief from the darkness in the rest of the film.

Mahesh reacts emotionally to the death of the young girl and police officer in the first part of the film, but other than that does not show the range of emotion that he has in other films.  It wasn’t there in the script for him to do.  The film did have more of a story than a strictly action film like Vivegam, but didn’t pack the emotional punch I usually like in Telugu films.  Still, I left satisfied that I’d had a good rollercoaster ride of my own.

Another unique aspect to the film is that it was filmed in Telugu AND Tamil.  Mahesh is fluent in both languages, so they filmed each scene twice!  I attended the Telugu version (with subtitles, of course.)

If you’re a parent wondering if the film is too violent to bring the whole family, the only violence you really SEE is a couple of impalements.  And Mahesh shooting a guy in the head from a distance.  But there are descriptions of victims being chopped up.

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Spyder – Spoiler Free Review

 

If you want no spoilers at all, watch this video review I made minutes after coming out of the theater.  I saw the very first show in Chicago — one of the first in the US.  I liked the film, even if it’s not perfect.  It’s not my favorite Mahesh Babu film, that would be Pokiri or Athadu maybe, but I left satisfied.  AR Murugadoss, who made one of my favorites, Ghajini, has a compelling script.

The backstory of the villain is especially creepy.  It’s a story I’ve certainly never seen before.  The romance track with Rakul Preet Singh is not the emphasis of the film, but I enjoyed the sweetness of their relationship.

Good dance numbers, but the background score is notably good, and kept the tension going in this enjoyable thriller.

I will be writing and recording another review with spoilers – coming soon.

Mahesh Babu SPYDER full trailer released!

 

Still no subtitles, but Kartik tells me Mahesh is playing the equivalent of an FBI analyst.  The romance track looks so cute!  That boulder shot down the street — THAT I was not expecting.  Hmmm.  I’ll be there first day, first show to see what it’s all about.

Pardesi – Launching my new YouTube Channel!

 

I have just launched my new YouTube Channel Pardesi with Kartik of Bollyfools.  He first interviewed me right after that very first IMAX showing of Baahubali 2, and we struck up a frienship.  After I did Indian Cinema reviews for the Bollyfools Youtube channel for the last few months, we’ve decided to strike out on our own with this new Pardesi Channel.  We decided on Pardesi because I’m a foreigner reviewing Indian Cinema, and Kartik is an ex-pat in America.

I’ll be doing movie reviews for the most part in the four main Indian Cinema:  Hindi, Telugu, Tamil and Malayalam.  I’m going to try trailer reactions and song reactions.  In fact I just did one for the first song Boom Boom from Mahesh Babu’s Spyder.  I had to take the Picture in Picture and audio out from the song because I got dinged right away.  I think I look ridiculous bobbing my head to silence but I have to know — why is there the word Hogwarts in a Spyder song??!!  It’s so strange!

 

I hope if you follow me here, you’ll subscribe to my new Youtube Channel Pardesi.

I watched both of Allu Arjun’s films Arya and Arya 2 to get ready for DJ

Several commenters on my reaction to the trailer of Allu Arjun’s new film DJ told me I should watch Arya 2 and Arya.

I’m super excitecd for DJ now after seeing Arya (2004) and Arya 2 (2009) over the last 2 days.  Only Arya 2 is the MUST see movie, but you should watch the
opening dance number of Arya, to get a sense what a great dancer Allu Arjun is.  Arya was his breakout film, and the debut blockbuster for director Sukumar — the guy who directed 1: Nenokkadine!
Like most Indian “sequels”  Arya 1 and Arya 2 are not continuations of the same story thread, but variations on the same theme.
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Arya 1 has Arjun playing Arya, and he’s in a love triangle with Geeta and Ajay and the setting is college.  Ajay is your typical college tough stalker.  He decides Geeta will be his and threatens suicide to make her date him..  Ugh.  Arya loves Geeta but expects nothing in return.  He even helps to get Ajay and Geeta togehter, etc. when her father wants her to marry someone else.  Geeta is played by a former model, and she has only one basic expression the entire film — looking miserable.  She has the charisma of a wet dishrag.  Ajay is your basic evil boyfriend.   Arya (Allu Arjun) carries the entire movie by sheer force of his cheerfulness, charm and excellent dance numbers
Seriously, Allu Arjun is THE best Telugu dancer I have seen yet.  He dedicates Arya 2 to Michael Jackson, and he can MOVE.  This dancing ability leads to great action sequences, because he’s really acrobatic in his kicks and so on.
I thought I had to watch Arya 1 to get Arya 2, but it’s not necessary as Arya 2 is a stand alone film, and not a continuation of the first film’s story.  It’s amusing enough, and was a blockbuster hit at the time, but not nearly as enjoyable as the second film.  The heroine is just so passive you want to scream, and the plot fairly regressive — except for Arya‘s selfless love.
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It just made me appreciate Arya 2 all the more.  To see how Allu Arjun had grown as a dancer and actor and the director!  .  I’m really glad I waited until now to watch Arya 2, because it is just that much more funny to me now!
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Arya 2 is brilliant, because it is a total riff and send up of all the usual Telugu movie tropes.  And it makes fun of them all, while referencing Darr and even has a white dog at a wedding JUST like the one in HAHK!  But what the director does with the dog in the scene just had me in stitches.  The whole movie is very entertaining, if a tad long.
First off, we start with Arya and Ajay as fellow child orphans and there is something off about Arya.  He demands to be Ajay’s friend, and is a psycho possessive kind of friend.  The whole movie is taking that brotherly Dost bond to the far reaches of the extreme.
They fall in love with Geeta at the exact same moment — and she’s played by Kajal who I LOVE, so she’s a spitfire and not a dishrag.  They actually flip a coin for her, again riffing on sexist Telugu tropes over and over again, and mocking them.
There’s the forced wedding, the battling families, and on and on.  And throughout Arya is mostly completely off his rocker, and yet still mostly likeable!  It’s a great performance.  And so great of the director to make the main character with negative shadings — he has his blown up Darr sized picture wall of Geeta in his room and all.
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The whole set up is in a way similar to the first movie — Arya has a struggle between his love of Geeta and this time his possessive love of his friend Ajay.  He wants them to be happy, and works to make it possible for them to be together — while occasionally slapping his own face to remind himself, “Have to give Geeta back to Ajay, Have to give Geeta back to Ajay…)  Also, Ajay is not a cardboard villain type.  You go back and forth in and out of sympathy with his shades of gray third wheel character.  Kajal is sometimes a spoiled brat — and has a penchant for throwing down cell phones and breaking them, which I found to be a very funny running gag.
Don’t expect an emotional rollercoaster with crying and pathos.  Expect to laugh and laugh — and be delighted by the clever action scenes, and the allusions to so many other films.
That comedy uncle guy, Brahmanandam is in it as the HR manager of Ajay’s tech firm where they all work, and he has a toned down performance — and was really good!  I actually liked him in this one!
This Arya 2 number is just jaw dropping AMAZEBALLS!!   Allu Arjun’s dancing is off the chain!
I’d still say that Prabhas is my number one in Telugu films, and Mahesh second.  Alllu Arjun has the best dance skills by far, and real comedic chops, though.

Mahesh Babu Spyder Teaser Trailer Reaction

I’ve never really reacted to a teaser trailer before, but I am super excited about this one for Mahesh Babu’s Spyder, due out in September.  I went on a binge of Mahesh Babu films last year, and unfortunately, the first film of his I saw in the theater was Brahmotsavam, which was a confusing mess.  Spyder is directed by the Murugadoss who gave us Aamir Khan’s Ghajini, which is a masterpiece.  Crossing my fingers that he gives Mahesh as great a movie.  September seems very far away!!

 

Rarandoi Veduka Chuddam Video Review – Naga Chaitanya’s new family drama film with Rakul Preet Singh

Rarandoi Veduka Chudham (Come, Let’s Watch the Spectacle) is an enjoyable family drama starring Naga Chaitanya and Rakul Preet Singh.  This I believe is their first film together, and the first time I’ve seen Rakul in a film.

This film is put out by Naga Chaitanya’s family banner, and he did well in the film, but frankly, I enjoyed his 2016 films Premam and Sahasam Swasaga Saagipo much more.  The first half of this film is slow, but it’s saved by the last hour or so of the film when the conflict comes to a head.

I also enjoyed seeing Jagapathi Babu again as Naga’s father.  He was Mahesh Babu’s father in Srimanthadu.

 

 

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2016 – My Movie Year

 

Letterboxd.com is where I keep a diary of all the films I watch, including films I rewatch.  They have a very cool year in review feature.  I was inspired by this Matt Bowes post about all the media he consumed in 2016, to make this post.  I’ll just talk about the movies here, but I love how he listed all the comics, podcasts, etc., too!

So, according to Letterboxd, I saw 222 films in 2016, which includes short films and rewatches.  That averages out to over 18 a month, and over 4 a week.  Weeks like our visit to the Sundance Film Festival, where we saw 30 films (including shorts) certainly help to bump up that average, but I am an avid movie viewer no matter how you slice it.  I just started this blog in April, but I had been posting short reviews on most films to Letterboxd before that.

2016 started with The Hateful Eight (which I didn’t love) and ended with Zootopia, which I did love.  There were mostly older films, but I did watch 82 films that were released in 2016.  It won’t surprise any of my readers that fully half were films from India, 111 of them.

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Interestingly, the actor with the most films I saw was not Shahrukh Khan (who was second with 12), but Nasser with 14!  That man is in EVERYTHING!

This year I discovered Telegu cinema megastar Mahesh Babu (9 movies) and Malayalam cinema star  Prithviraj.  I’ve got a stack of more Prithviraj movies to watch — the man has made so many!  I’m amused that Prithviraj’s early film Stop Violence – which I watched without subs! – Letterboxd lists as my “most obscure movie”.

The highest rated (by people on Letterboxd) film I saw in 2016 is Moonlight, which is heading to the Oscars.  The lowest rated is Yoga Hosers.  Yeah.  Have to pretty much agree with that — but Assassin’s Creed is giving it a run for it’s money on that score. Yoga Hosers is just crazy silly (Brat Nazis!) but it was worth it to go to the midnight premiere just to see Kevin Smith.

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2016 will always be in my memory, because this was the year that a movie I helped get made premiered at Sundance.

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 How To Tell You’re A Douchebag is the movie I saw the most times this year, as I attended screenings of the film, and showed it to friends and family.  I’m so proud of writer/director Tahir Jetter’s achievement.  It was bought by BET and aired this summer.  You can watch it on iTunes, Amazon video or Google play now!

Top films from 2016 I saw in Hollywood and Indian cinema coming soon.

Janatha Garage – Mohanlal and Jr. NTR are a perfect match in this action family drama

1468570544-1707Janatha Garage (I think it translates to People’s Garage) is writer/director Koratala Siva’s third feature film, and his first collaboration with Jr. NTR.  I loved Siva’s previous blockbuster films, Srimanthudu with Mahesh Babu and one of my favorite Prabhas films, the fantastic Mirchi.  Malayalam superstar Mohanlal returns to Telugu films after a cameo appearance 2 decades ago.  Janatha Garage was filmed in both Malayalam and Telugu, and released in both languages.  I find it really interesting the cross promotion, because the film also includes Malayalam star Nithya Menen as the second heroine, in her first collaboration with NTR.  Samantha Prabhu is the first love interest, a star in Telugu and Tamil Cinema.

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Expectations were extremely high with this director, and with this star studded cast.  I think having Mohanlal and Jr NTR in a movie together is brilliant.  They were fantastic together, and frankly look like they’re family.  I’ve only seen Mohanlal in Thenmavin Kombath (review soon) and NTR in the fantastic Yamadonga.  The theater five minutes from my house had the film on two screens for the premiere, and pretty full crowds.  It was fun to be there the opening night and hear the whoops and hollers for NTR’s first entrance.  (My ticket seller wasn’t used to Telugu films – “That will be $8…I mean $20”.)

The first half of the film chronicles the creation of Janatha Garage (the people’s garage).  Mohanlal not only fixes cars, but he fixes the problem of anyone who comes to him.  When his brother and his wife are killed by one of their enemies, Mohanlal gives the orphan infant to the mother’s family saying that he will have nothing to do with the boy, as they wish.  And as young Anand grows up, his family don’t even have a picture of his father in the house.  They just tell him his parents died in an accident.

Jr NTR as Anand is like a cross between Captain Planet and DJ Khaled with his flowers (“I love you.  I like that.”)  This movie has a Message with a capital “M” and that is environmentalism.  Anand is all about green spaces, planting trees, and against pollution and over development.  Srimanthudu had a similar message with Mahesh Babu riding his bicycle everywhere.  There’s one fight sequence where he lectures the goons on the forces of nature raining down earthquakes and tsunamis on them.  He’s no pacifist environmentalist — at all.  When a park is set to be demolished, he threatens the developer and the MLA – “The MLA will die, I mean, because of lack of oxygen if the trees are destroyed.”)

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Anand (NTR’s) love interest is his cousin (Samantha Prabhu) and that was a little squicky for me because it seemed like they’d been raised as sister and brother.  He meets Nithya Menen early in the film – and scolds her for things like setting off firecrackers for Diwali creating air pollution.  Nithya becomes part of the group of friends with NTR and Samantha.  One of my two favorite songs is NTR with Samantha in the Apple Beauty love song.  He’s really fantastic dancing in this one.

Anand goes to Hyderabad to study Environmental Science, and has a run in with Mohan Lal’s son who has joined forces with the family enemy, the evil developer.  NTR hears about Janatha Garage, and Mohanlal hears about his good deeds.  Rather than confront him for the dust up with Mohanlal’s son, he asks NTR to join the Janatha Garage to carry on his work.  Mohanlal had been in an “accident” and the doctors had warned his family that he should stop and not have stress.

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Neither realize that they are nephew and uncle.  But they have a natural affinity.  They both just want to help people.  In Hebrew, we’d call it Tikkun Olam – Repairing the World, which encompasses the environment and good deeds.  It’s just that NTR knocks heads together to fix things as well as plants trees.

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One of the best fight sequences has NTR coming to the aid of a government clerk who is ready to commit suicide rather than sign off on shoddy plans for a hospital.  The builder has threatened his family, and he comes to the Janatha Garage for help.  He’d been turned away by the others at the garage after Mohanlal got out of the hospital, but NTR resurrects the true mission of the garage by helping him out — and inspiring his co-workers to view the clerk as the true hero.

Koratala Siva has set up an emotional family drama to punctuate the action.  Mohanlal has the son who rejects his way of life and joins the enemy camp.  He also has the son of his heart, NTR, who he doesn’t even know is his true long lost nephew.  And there is a very dramatic scene when Anand’s family finds him at the Garage, and forces him to choose the girl he loves or Janatha Garage.

The songs are mostly very good, and NTR’s dancing is great.  Kajal has a really fun item number in the second half — the very catchy Pakka Local (Strictly local girl).

Janatha Garage Movie Rating

Jr. NTR has lots of charisma and screen presence, and his dancing and fight scenes are great.  NTR is looking much more fit than his Yamadonga days, but he’s not as playful as he was in that film.  Srimanthudu had more moments of levity than does Janatha Garage.    Mohanlal is predictably excellent as the sort of do-gooder don of Hyderabad, with tough fights in the first half, and anguish over his wayward son in the second half.  One thing that could have been better is the villain is more smarmy than scary.  The romance elements are not the focus of the film at all, and take a back seat to the male family relationships and the action.

An enjoyable flick, even if it dragged a bit in parts, and especially fun to see Mohanlal and Jr. NTR act together.  They make a perfect pair.

Three and a half stars out of five.

 

 

Pokiri – Fantastic Mahesh Babu flick by Puri Jagannadh

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Pokiri (Rogue) is simply a fantastic Mahesh Babu action romance flick directed and written by Puri Jagannadh.  I enjoyed it so much.  Pokiri is from 2006 and was filmed with a very modest budget of 12 crore.  The director wrote a great script and was really inventive in his shots.  The editing really enhances and propels the pace of the action.

I had rented the DVD through Netflix, but the DVD crapped out on me half way through.  I kept trying to make it work again because the movie is so delicious, but then realized I was watching a Telugu movie.  Of course, the whole thing is on Youtube with subtitles.  (Yay Chromecast!)

Among rival gangs in Hyderabad, Mahesh is the newcomer, Pandu.  He’s a rogue, a free agent and his intro in the film has him running down a street with a cart of red mirchi peppers fly into the air.  Loved that touch.

The action scenes are very visually inventive.  There’s a cool action sequence when the lights get shot out in a dark room and then it’s all flashing flickering light with sparks waterfalling down.  Mahesh kills off pretty much a whole opposing gang one by one in flashes.  So many film directors rely on a few big fireball explosions and slow mo to make an action scene look cool.

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The love interest is Ileana D’Cruz.  She’s an aerobics instructor living with her widowed mother and her younger brother.  Mahesh tries to stay away from her, but he can’t overcome his attraction to her.  And his friends delight in throwing them together.

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Quite literally thrown together, as in this fantastic little scene where they’re stuck in an elevator together and his friends make the elevator jerk up and down.
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Ileana’s in dire need of a protector.  Unfortunately she’s drawn the attention of a corrupt cop.  Ashish Vidyarthi is just so eeeeevil.  He’s not only involved in corrupt deals shaking down land developers with a local gang.  He has no compunction in viewing his cop underlings as expedient kills.  And then he approaches Ileana’s mother to propose she make her daughter his concubine.  “And you’re not that bad looking either.”

Ileana as Shruti approaches Mahesh to ask that he be her protector.  I really liked that she addressed it head on.  She had no one else in her life that she could ask.  But while he is drawn to protect her, he doesn’t think a rogue like him is right or deserving of her love.

My favorite scene was just right before the interval.  The editing and directing in this flick were really a step above, even if it doesn’t have the production money of something like Srimanthudu.  Shruti’s (Ileana’s) fallen in love with Mahesh, a rogue, and he’s trying to say don’t fall in love with me, I’m no good for you.  Then they’re attacked by a gang.  Mahesh is so intense, and torn.  He tells her he loves her, but can she live with a criminal like him after seeing him like this?

That’s the thing.  This movie is not just a great action gangster flick.  There is a real conflict and threat to the love interest.  The romance gets equal weight, and the dance sequences are fantastic.  I really liked the music in this one.  This is yet another reason I love Indian cinema.  All that love he cannot express, the music lets you see what he’s feeling in his heart.

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I think Mahesh really is what makes the romance work, too.  He just looks tortured, but you can sense an innate goodness in him even while he’s acting like a gangster.  He projects “heart of gold” better than just about anybody.  He wants to leave her alone because he knows she shouldn’t be attracted to a gangster, but she really, really needs a protector.  And I loved that she out and out asked for one!  She didn’t just sit there and whimper, she took some action to protect her family.

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Prakash Raj is the ultimate villain gang don in the film, but for once, though, I think the always fantastic Prakash Raj is upstaged by that creepy evil cop Ashish Vidyarthi. Nasser plays a key role in the denouement at the end.  There’s a great twist to the end of the film.  Pokiri was so successful that it was remade in several languages, including the Salman Khan Hindi film Wanted (which Margaret told me is not nearly as good as Pokiri).  The comedy uncles are even almost funny with a running gag about a beggars union.

I highly recommend this all ’round Telugu entertainer.  It’s going to be one I’ll love going back to rewatch.  The director Puri Jagannadh really impressed me, and he also directed one of my favorite Prabhas flicks, Bujjigadu.  He reteamed with Mahesh Babu for Businessman which is moving right on up on my watchlist.  Four stars out of five.

I’m convincing Margaret of Don’t Call It Bollywood to watch some Mahesh Babu movies.  Check out her rapturous review of Pokiri!

You can watch all of Pokiri FREE on Youtube with English Subtitles:

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