Padmaavat – Movie Review – It finally released!

The day finally arrived! Padmaavat finally was released, despite rioting, threats against the stars and physical assault of the director. I saw it in 3D which wasn’t really needed, but was my only option. It’s not the best Bhansali film ever, but it’s Bhansali so you have to see it on the big screen at least once. And I feel compelled to probably see it again, because I’m so worked up about that school bus being attacked by rioters in India over this film.

The controversy over the film even reached national news here in the US.  I heard a five minute segment on the movie’s release, and the violence surrounding it on NPR this afternoon.

 

The above is an over 16 minute video review of the film, but I try not to give any spoilers (but we all know how it ends anyway.)

As Bhansali films go — it is average. It’s not my favorite, and besides the Ghoomar song, the music is not as memorable as Bajirao Mastani. But I’m there for the costumes, the colors and the sets, and they are GORGEOUS on the big screen. My local theater only has the film in 3D so you get to see those saris swirl out at you, gold threads shining. Shahid’s abs I could write an entire sonnet about — he has never looked better on screen!

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The costumes were just even more stunning on a big screen.  The attention to detail in the jewelry, the saris, and the outfits that Shahid wore (and Ranveer) is just stunning.

Here’s a video about the design of the jewelry!

 

It was worth the cost of the ticket just to see the whole spectacle of the film, but it’s slow paced.  The run time is 2 hours 45 minutes, and believe me, at least a half hour could be easily cut.  The film feels flat and staid.  Anupama Chopra said the film lacked heart in her video review.  I also didn’t feel tension in the final moments.  We know what’s going to happen, but I’ve seen other films (like Neerja) where even though I know what’s going to happen I’m on the edge of my seat.  I just didn’t feel that.

Speaking of Neerja, the great Jim Sarbh has a much bigger role as Ranveer’s slave in the film than I had imagined.  He actually has an entire song he sings to Ranveer!  I don’t like that his whole role is to prove that Alueddin is obviously evil because he’s bisexual, but Sarbh gives his role his all.  It was just a pleasant surprise how much screen time he had.

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Aditi Rao Hyari who I last saw in Mani Ratnam’s Kaatru Velliyidai, was very good as Ranveer’s wife in the film.

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Ranveer is the stand out performance of the film.  He really chews the scenery as the Muslim conquerer villain. I hated though, that Bhansali had him almost always with a dirty face, and black clothing.

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In contrast, Shahid was shown in white and pale colors, often in a pure linen shirt ( that did blessedly still show his abs through the loose weave — I love you costume designer!!)

Shahid did well as the proud arrogant Rajput king.  Deepika was absolutely luminous as Padmavati.  I absolutely loved her introduction scene, hunting with a bow and arrow like Katniss Everdeen in the forest.  How she meets Shahid the king was awesome.  She is shown to be smarter than Shahid’s king, like a chess player that can see three moves ahead, so kudos to Bhansali for that.

The film just didn’t live up to my very heightened expectations.  I just have greater expectations for the over the top films that Bhansali makes.  The music wasn’t as notable as other films, besides the Ghoomar number which is amazing! – and I can’t help but wonder if he held back on story elements or cut certain things from the script that would have made a livelier film, but restrained himself due to the controversy.  Even though there was a disclaimer before the film saying they don’t endorse sati — the way Bhansali filmed the last moments rather did do just that, and I don’t like that message.

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I’m so worked up about the school bus being attacked in a riot about this film, that even though it’s average, I will see it multiple times just as my own personal protest.  It’s overlong and slow, but it’s Bhansali. You have to see it on the big screen at least once.

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Padmavati Trailer Released!

 

At first I was just unabashedly excited about this trailer.  A new Bhansali film is an event.  I didn’t know the historical back story in full.  I didn’t know the tragic ending — should have guessed Bhansali would pick a story with a tragic ending.

Then I read Margaret’s reaction to the trailer, and I saw just how demonic and crazed they are making the Muslim king played by Ranveer.  This film could have been told in a very different way than what this trailer shows us.  I’m very conflicted now.  I can’t miss the problems now that she’s pointed out the issues.  I said Ranveer looks like Rasputin.  And that’s on purpose.

I Really Liked the Romance in Sushant Rajput Singh’s Raabta

I didn’t LOVE Raabta as much as Margaret of Don’t Call It Bollywood did, but it was a welcome couple hours of escape for me this weekend.  We have a family member that has just been put into hospice, and this movie took me away to beautiful Budapest for a bit.  Several shirtless scenes of Sushant also helped very much, the first in the very first minute of the film.

As Margaret said, it’s Magadheera, but totally different.  If you want an action film, go see Magadheera.  But Raabta is a timepass romance with some angst.

 

Happy Birthday SRK – My Favorite Shahrukh Khan Movies

unnamedShahrukh Khan was my entree into Indian Cinema.  And it’s all because of Netflix.  Netflix streaming’s algorithm recommended Dilwale Dulhania Le Jayenge to me because I love romantic movies.  Then I watched Rab Ne Bana Di Jodi and I was a goner.  I think my story is similar to many other non-Desi fans of Indian Cinema — Shahrukh Khan is our gateway to this wonderful world of film.  And the internet and Netflix makes it so easy now to really dive into an obsession.

How big a fan of Shahrukh Khan am I?  This is my phone’s lock screen background:

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I’ve seen 50 of Shahrukh Khan’s 70 plus movies.  Picking my favorite Shahrukh Khan films after the top two is like picking my favorite children.  SRK brings something special even in the worst of films.

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The only Shahrukh Khan film I really can’t stand and won’t watch again is King Uncle, and really that’s a Jackie Shroff Annie remake and SRK is barely in it.

But enough of the worst, on to my favorite Shahrukh Khan films:

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10.  Swades

My love of this movie about an NRI who returns home to India is particularly for this song sequence.  In Yeh Tara Woh Tara, when the projector won’t work in the village, SRK leads the children in a song about the stars.  And we get that classic arms outstretched pose projected on the sheet used for the screen.  Just a magical moment of a song.

 

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9.  Chak De India

I love that SRK did this film about a girl’s field hockey team.  Just a masterful performance and a great message.  He’s let his female co-stars have top billing in his films, and here he lets a whole team of them take center stage.

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8. Don

I recently watched the original Don with Amitabh Bachchan, and I am now even more impressed with how Farhan Akhtar kept the spirit of the original, while updating it and giving it a new twist.  Plus he has the cool seventies music from the original updated and incorporated in this fantastic film.  I love Shahrukh Khan in double roles, just love seeing him create two different personas in the same film, from Baazigar to Fan.  This is one of the best, and so delicious to see him in a dark sexy villain role.

7.  Kuch Kuch Hota Hai

Kuch Kuch Hota Hai can be silly, but Karan Johar can just get me right in the gut with his love story triangles (or quadrangles).  This gazebo scene is just so sexy.  That SRKajol magic!  We get SRK/Rani plus a sweet Salman Khan as a bonus.

6. Om Shanti Ohm

I love Farah Khan and her collaborations with Shahrukh.  Main Hoon Na barely missed the cut for this list, but I have to give it up to OSO.  Farah has given us an homage to classic Bollywood film, launched the debut of Deepika Pudakone, and the song sequences are just amazing.  Farah was a choreographer first, and the great music is paramount in this film.  I will love her forever for making SRK the item guy in the sexy Dard-e-Disco.  We won’t talk about how many times I’ve seen the Dard-e-Disco song video.

I saw Om Shanti Ohm early on in my watching of Hindi films, and I don’t know if I recognized anyone except Kajol the first time I watched Deewangi Deewangi.  This song is my yardstick of how far I’ve come in watching Hindi films.  Farah Khan loves allusions to other Hindi films in her movies, and cameos and this is the king of cameo songs.  I didn’t know Dharmendra or why Shahrukh made that hair gesture with the thin guy I now know is Zayed Khan.  These days, I’m so advanced I know the guy playing Shahrukh’s father in the second half is a big Pakistani soap star (And I’ve watched him play Fawad Khan’s father in Zindagi Gulzar Hai)!  OSO is just that much funnier and you just appreciate it so much more knowing filmi background.  I laughed so hard at the Filmfare scene on a subsequent watch with Abhishek being nominated for Dhoom 4 and SRK being nominated for two identical looking romances in the Swiss Alps with sweaters.

5.  My Name Is Khan

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This may have been the first movie I saw with SRK where he wasn’t playing a version of the SRK persona, but was really acting a character.  Shahrukh plays a man with Asperger’s and his relationship  with Kajol in the first half of the film is just wondrous.  The second half of the film is like looking at my  country through a fun house mirror.  The flood scene somewhere in the South where SRK is taken in by an African American family is a little weird, but it’s still a very moving film with a powerful message.

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4. Kabhi Khushi Kabhie Gham

KKKG feels like the ultimate Bollywood film.  It’s got just about everybody in it!  I’ve shown this movie as a first Hindi movie to friends because it introduces you to all the major players.  I’ve posted just the reunion scene of SRK with Jaya who plays his mother, and without subtitles, I’ve had people demand to know where they could see this film because of the emotion they saw.  This song,  Yeh Ladka Hai Allah, may be my ultimate SRK and Kajol dance and fall in love number ever.  It is just so, so swoony.  Yeh Ladka Hai Allah, indeed.  And the outfit Shahrukh is wearing is so, so gorgeous.

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3. Veer-Zaara

Veer-Zaara is Yash Chopra at his peak.  Lush scenery, beautiful songs, and an interfaith romance that just makes me tear up each and every time I watch it.  My favorite song sequence of Shahrukh’s ever is Main Yahan Hoon from Veer-Zaara.  Oh, my gosh.  The way Priety is trying to forget Shahrukh as her father forces her to become engaged to Manoj, and yet, she sees Shahrukh everywhere.  He haunts her.  And then goes in for her collarbone in the rain and I swoon.  Every. Single. Time.

 

2. Rab Ne Bana Di Jodi

Rab Ne Bana Di Jodi (Match Made in Heaven) was the second Shahrukh Khan I ever saw, and I watched it right after DDLJ.   This is how new I was to my love of SRK.  I actually paused the movie and looked it up, because I could not believe Raj and Suri were the same actor.  I loved the comedic Raj, but quiet nerdy steadfast Suri stole my heart.  Such a great film.  Aditya Chopra is the master.  I watch this film over and over..  It is my comfort and my solace.  Watching this film cemented my love of Shahrukh Khan forever.

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  1. DDLJ  (Could there be any other?)

Dilwale Dulhania Le Jayenge (The Bravehearted Wins the Bride) is the one that started it all.  The first half can be a little silly, reminding me sometimes of a prank filled John Hughes film.  But, oh, man, the second half hits you.  I can’t even really express what watching DDLJ did to me the first time (and every time).  It touched my heart and gave me something I didn’t even know I was missing.  Hollywood rarely makes Rom-Coms anymore, much less musicals.  This film opened my world and gave me the gift that is Indian cinema.  Since I watched DDLJ in the summer of 2014, I’ve watched over 300 Indian films.  Thanks, Shahrukh for making me fall in love!  And Happy Birthday!