How we met through her masters thesis project, and how we both started watching Indian films!
How we met through her masters thesis project, and how we both started watching Indian films!
After seeing the fantastic Malayalam film Angamaly Diaries last week, I couldn’t wait to seek out director Lijo Jose Pellissery’s other films. City of God was the one recommended to seek out first, and glory be, it’s on Google Play for rental and purchase. At $4.99 to buy, I snatched it right up.
City of God is part of the New Generation of Malayalam films with a hyperlink non-linear narrative of four interlocking stories. It came out within months of Traffic, the first of the new wave Malayalam cinema, but City of God was pulled within a week of release. It may have been a bit ahead of its time. It felt much grittier and more violent than Traffic, and isn’t really suited to a broad family audience. I felt Traffic relied a bit too much on the audience’s familiarity of all the actors in that multi-starrer, and I didn’t really get to know any character that well. I liked City of God much more.
A signature of Malayalam New Wave films is an accident, and coincidences that bring people together and set off the events of the film. City of God starts with a horrific car crash. Prithviraj is driving a car that crashes into a street light pole, after hitting a motorscooter with a young couple. There’s also a van full of toughs that pile out to confront Prithviraj after the crash, and then we flash back. We see the events of the film from several perspectives, replaying various key scenes from the point of view of different characters. This is a movie where you have to pay attention a bit to catch on to what is going on.
Prithviraj is sort of a capo or enforcer for his rich friend Sony (Rajeev Pillai). He gets lots of very cool fight scenes, mostly just kicking and punching his way out of various jams, but in the photo above wielding a firehose like a urumi sword! Prithviraj looked pretty bulked up, and this film was around the time of the filming of Aiyyaa. Hubba hubba. It was super fun to see Prithviraj be a sort of gangster tough guy, smacking people down first, and asking questions later.
Sony is obssessed with a young actress, Surya (Rima Kallingal). He had a romance with her in the past, but his parents made him abandon her, and he’s trying to get her back, even though she’s married to an abusive husband. Surya is a big actress, and one of the big musical numbers is cleverly one she’s doing for a film within the film. The director was very clever about the songs. There was this one during a film shoot, one big one at a wedding, and then a couple more playing on a radio and so on.
There’s a complicated land deal going on between some corrupt business types, Sony, and some mafia. Prithviraj is sent out to “deal” with one guy, and his wife then vows revenge.
My favorite story line involved the migrant Tamil laborers who were working on the building project for Sony. My reader Mohzin let me know that half this film is in Tamil, including half the songs! He said that the Malayalam audience didn’t need subtitles for the Tamil speaking parts. The love story of Swarnavel (Indrajith) and Marathakam (Pavarthy) is just so wonderful. It’s the heart of the whole film. Marathakam has fled Tamil Nadu and her abusive husband. Swarnavel obviously loves her, but holds back as she is already married. Marathakam’s friend Lakshmi (Rohini from Baahubali!) urges her to marry again, but Rohini has other ideas than poor Swarnavel. She tells both the other thinks of them as either brother or sister, and so Marathakam, heart broken, agrees to marry a supposedly wealthy man. Then comes my all time favorite scene of the whole film. The cops come and arrest her husband, and then she finds the drunk Swarnavel to chastise him for letting her marry this thief. Then the sparks just FLY once they realize they don’t view each other as siblings AT ALL! When he breaks off her mangalsutra — so hot! Another favorite thing is that she won’t kiss him as he’s drunk, and sobers him up with a bucket full of water over his head!
This is the couple from the opening scene accident who were on the motor scooter. Why they were so frantically racing on that bike gradually is revealed.
Prithviraj doesn’t get a full on romance in the film, but he does rescue a damsel in distress and gives her very swoony longing looks through the rearview mirror. Mostly, in this film, he just gets to kick ass in very cool fights, and he seems much more savvy and smart than anyone around him. But then Prithviraj usually does seem like the smartest one in the room.
The tone of the film can change dramatically from scene to scene,as we’re going from one character’s point of view to the next. There are several side characters who have comedic moments — quite a few sort of comedy uncle characters. The main actors were all pretty good, but the guy playing Sony didn’t make much of an impression on me. Prithviraj, Pavarthy and Indrajith were the standouts. Indrajith stole the whole movie, in my opinion. I don’t really remember him from Classmates, but he’s in Amen, which I’m going to try to watch next. Pavarthy looks so completely different from any other character I’ve seen her play, that I honestly did not recognize her until I saw her name in the end credits. Once I went back and rewatched that HOT love scene song, I could tell it was her, maybe with darker makeup? Quite the different look than in Bangalore Days or Charlie!
The cinematography was quite interesting. Some cool different angles to many shots, and great editing. The fights didn’t feel quite as intimate as the recent Angamaly Diaries. There was a steadicam being shook up, I guess to imitate the Bourne films, but it just made me dizzy. It worked in Angamaly Diaries, and didn’t work for me here in the same way.
As I said earlier, I didn’t really enjoy the hyperlink in Traffic, as there were too many shallow stories that weren’t developed. Here, there were four key stories that interconnected, and the characters were more fleshed out. This film can be gritty and violent like Kammatti Paadam or Angamaly Diaries. Maybe the audience 6 years ago wasn’t quite ready for an innovative film like this. Angamaly Diaries is still the better film, but it was really fascinating to see this director developing his signature style.
I’ll be honest that I’ve been dreading OK Jaanu [OK Darling] because I love OK Kanmani so very much. I went to an A. R. Rahman concert in Chicago and I heard the song Mental Manadhil for the first time, and I was completely blown away. Rahman played this video while he sang the song, and I just had to see this movie.
OK Kanmani is a Mani Ratnam Tamil movie about two young people who are working in Mumbai, and thrilled to find another Tamil speaker. I didn’t know at the time that Dulquer Salmaan is actually from Kerala and known for his Malayalam films.
I’ve become like all those people in South India — the Southern original is so much better! There is an undeniable magic to the Mani Ratnam Tamil original. The chemistry between Dulquer Salmaan and Nithya Menen is amazing. And it’s one of my all time favorite A. R. Rahman soundtracks. I listen to it all the time. O Khadal Kanmani is the movie that started me on my journey of watching Malayalam films, because I just had to see what other films Dulquer and Nithya had done, which led me to Bangalore Days and on and on. It all started with the Tamil OK Kanmani, which I have watched multiple times.
So, I had trepidation about OK Jaanu. I like Aditya Roy Kapur okay, and Shraddha Kapoor. I saw Aashiqui 2, and they do have decent chemistry together. Then the Humma song came out, and I got excited. The song from this scene in the original movie is cute, but one of the weakest of the Tamil soundtrack. This is waaay sexier.
Then, something happened a week ago. My father became very seriously ill and he has been in ICU at the hospital for this entire past week. It’s been incredibly stressful, but he seems to have come out of the crisis. I’ve been exhausted and spending all my time at hospital with my parents. When I’ve had a moment to wind down, I’ve turned to Bollywood song videos as my sort of comfort food. And tonight, I decided I deserved a break, and went with a neighbor to OK Jaanu. It was just what the doctor ordered. It took me away from all my cares and worries for a few hours.
I think this is the best movie I have seen Aditya Roy Kapoor do. He was truly adorable. Because I know Dulquer’s performance in the original so well, I could tell when he was even trying to match Dulquer’s mannerisms, but he made it his own. Shraddha is no sparkling Nithya but she was good enough. Aditya was good in Aashiqui 2 and, not horrible in Fitoor (that movie had other problems), but I like him so much better quirky and cute like this than brooding and angry. I’m also one of the few people who liked most of Daawat-e-Ishq. (Not Aditya’s best look, but I still love this title song!)
The plot of OK Jaanu is basically identical to the original. Adi (Aditya Roy Kapur) is a young video game designer who has just arrived in Mumbai, and is staying in a room of the house of his brother’s former boss (Nasureedin Shah). Nasureedin’s wife has Althzeimer’s. Adi meets Tara and a torrid romance begins, but they both vow they never want to marry. He’s determined to move to the US, and she wants to study architecture in Paris. They convince Adi’s landlord to let them live in sin together in his room. All comes to a head when they both have to leave to follow their careers — will they choose love or their career? It does have a fantastic message that a girl shouldn’t have to give up her career for marriage — her career is just as important.
Some of what made the original special is lost in the Hindi translation. Part of what drew Adi and Tara together was that they were two Tamil speakers alone in the big city of Mumbai. That plot point is gone. Naseeruddin Shah is of course his excellent self, but I so adored the big hulking Prakash Raj, who so often plays the big villain, being the tender devoted husband to his ailing wife in the Tamil OK Kanmani. The sets are certainly bigger and more expensive looking.
One thing that is a welcome addition are the new songs. Enna Sona, sung by Arjit Singh is gorgeous, and the film turns black and white during this sequence as Adi is missing Tara while she’s away on a work trip.
My neighbor thought OK Jaanu was better than the original. But she doesn’t really speak Tamil (her husband does) and watched it without subtitles. She said Dulquer Salmaan’s accent was so thick she couldn’t understand him. The original will remain one of my favorite films, and if you live in the US, I urge you to watch it on Netflix. But, the Hindi remake is quite enjoyable. It’s partly my frame of mind with all I’ve been going through but, this movie allowed me to forget my troubles for a few hours. Thank God for Indian Cinema and that it is there whenever I need it. I told my husband what a comfort it is to me in times like this. I think I’m being more generous than some other reviewers may be, so sue me. It’s no hardship to watch Adiya being this adorable for a couple hours!
The Malayalam film Neram was disappointing for me. Watching comedy in Indian movies can be very hard for a non-Desi like me.
For the first movie I picked to watch from the big MyIndiaShopping order from Kerala I gifted myself for my birthday, I picked Nivin Pauly’s Neram (Time). It’s an action-drama-comedy from 2013, and Nazriya Nazim (from Bangalore Days) is his love interest in the film.
Rajesh Pillai‘s Malayam film Traffic (2011) is a hyperlink movie. We get small glimpses into the lives of several characters, and learn over the course of the film how they are all connected to each other. DontCallitBollywood has a great discussion of what hyperlink movies are, and analysis of this film. Because of her writeup, I decided to check out this movie, that was also recommended many times on the Quora post.
Traffic was also evidently a seminal movie in the New Wave Cinema or Next Generation movement in Malayalam cinema because of its urban setting, vs. the traditional rural village, and young fresh faces outside of the star system.
Traffic most reminds me of the hyperlink Hollywood film Crash, which also touched on serious urban themes and issues.
Traffic, as you can imagine, starts with a traffic accident, and then backs up the narrative a bit to fill us in on the characters involved. We have a young man who is starting his first day on the job as a journalist off to interview a big movie star. A young woman being followed by some rowdies on motorbikes. The victim of the crash goes into a coma, and the doctors bring up a young thirteen year old girl, who desperately needs a heart transplant. And that’s the hook of the film. Getting that heart on a two hour drive through various towns and urban populated areas.
We flashback and learn about a police officer who has been disgraced by a bribe. He volunteers to drive the heart to try to redeem himself in the eyes of his family and neighbors. There’s the police commander who thinks it just can’t be done, and then coordinates all the road closures necessary from a command center. And most importantly we learn about a movie star on the day of his premiere — it turns out to be his daughter who is very ill. The young journalist is set to interview this star, and he has a romance with a young divorced woman.
It’s quite unusual to see a young divorcee in Indian films, and that is one of the key plot points that signifies this film as New Wave. The filmmakers set out to make a quite different film.
I loved the glimpses into the life of the Malayalam movie star. We see flashbacks of him being too busy for his family, and my favorite scene of the whole movie is when he is being interviewed on the radio while his daughter and wife roll their eyes at his answers. The daughter hands the interviewer a paper with some questions — “What is the name of my daughter’s favorite teacher? Who is her best friend?” And so on because she knows that will trip him up.
The second half of the movie is mostly taken up with the action of driving that police car at 100 kph or whatever it was to get the heart to the girl on time. And the action scenes were great. There’s a big twist right at the interval that had me gasp out loud. It really shocked me what one character did when he heard some awful news. And what he’s going to do next sets up much of the tension and conflict.
As Margaret points out in her take on Traffic, this is a movie about detours and second chances for many of the characters. It has a very interesting script, unlike most Indian films, and the action towards the end is very well done.
But my problem with the film is that since there are so many characters, I couldn’t really connect emotionally with any of them. And I really thought afterwards about why this film seemed to have such a strong reaction in Kerala, but I didn’t feel the same way about it. And part of it may be that just about every actor in the film I have never seen before. Only the young journalist, I had seen in Ohm Shanti Oshana.
Hyperlink movies in Hollywood like the silly He’s Just Not That Into You or Valentine’s Day have a bevy of stars and some new actors thrown in.
When you have Jennifer Aniston, Ben Affleck and Bradley Cooper in a movie, you know these actors. There’s a shorthand to their characters, and an instant rapport with the audience.
And I didn’t have that with the actors in the Malayalam Traffic that maybe the Mayali audience did. So, I give it three and a half stars out of five. I admire the film, but I didn’t love it. Rajesh Pillai also directed the Malayalam film Mili, which I also admired for being so female centric, but didn’t love. Bangalore Days and the Malayalam films that came after Traffic owe a debt to Traffic, but Bangalore Days is the superior film. Fewer characters, and you get emotionally drawn in to their stories much more.
Interestingly, when I was looking up links for this version of Traffic, I discovered that the same director made a Hindi version of Traffic that is going to be released May 6th! And here, we have Jimmy Shergill as the police commander and Manoj Bajpayee as the police officer who volunteers to make the drive to redeem himself. See, I’m instantly in! Because these actors I already have a relationship with from many, many movies. The film has the exact same plot, but with action “enhancements” which I’m very curious about. Same director, Rajesh Pillai, who tragically died earlier this year, so this is his last film. Instead of driving to Chennai, as in the real life case the movie is based on, the drive is from Pune to Mumbai.
Here are some of my favorites, in no particular order, although number one is my top favorite.
2. Jab We Met
7. Khoobsurat — Fawad Khan Fever!
11. Bunty Aur Babli
13. Bang Bang
16. Main Tera Hero
Does DDLJ count? 🙂
And if you’re willing to go outside Hindi cinema, I have a few South Indian films that are great rom coms:
OK Kanmani – 2015 Tamil Mani Ratnam film (currently on US Netflix streaming)
Bangalore Days (Malayalam) – Multi-starrer about three cousins and their romantic adventures
Ohm Shanti Oshaana (Malayalam) – A fantastic female centric coming of age romantic story.
And a Telugu film- Mr. Perfect, a rom com with Prabhas of Baahubali fame:
For my Hindi pick,is certainly not one of SRK’s biggest films but I love it. Fantasy films seem to be unusual in Hindi cinema, and in this film Shahrukh Khan plays a number counting merchant husband, and a Ghost or spirit (sort of a genie, really) who takes his place. Rani Mukerji is the bride who captivates the Ghost, with Amitabh as a wise shepherd in a cameo. It’s a fable that is also about women’s empowerment, and the scene where SRK tells Rani he’s a ghost is one of my all-time favorites.
And the soundtrack!!
My Tamil pick is Mani Ratman’s 2015 film OK Kanmani, with music by A. R. Rahman. A young couple (the charming Dulquer Salmaan and Nithya Menon) wants to live together because they are cynical about marriage. They learn about true love from an older married couple. Prakash Raj (who we’re used to see as a villain in Hindi films) plays a devoted husband to his wife with Alzheimer’s. If you live in the US, it is on Netflix streaming, and I highly recommend this wonderful film. I sought out this film after hearing the song Mental Manadhil at an A. R. Rahman concert. So glad I did!
Dulquer Salmaan from OK Kanmani is usually in Malayalam films, and that’s what brought me to watch the Malayalam film Bangalore Days. This is my number one pick of Malayalam films I’ve seen so far. It’s a wonderful coming of age tale about three cousins and has a great ensemble of young Malayalam actors in it. Ohm Shanti Oshana is also a great woman centered film (with the same lead actress above), but Bangalore Days, Bangalore Days, Bangalore Days!
For Telugu films, there can be only one — Baahubali! I was so blown away by this film, I watched it four times in the theater! This film is available dubbed in Hindi, but you can readily rent the Telugu version on Youtube. Prabhas plays a dual role, Shivuvu and Baahubali. It is EPIC. It’s a fantasy with stunning visuals. S. S. Rajamouli cannot be matched for his imagination in film (have you seen Eega where the hero is a FLY?) The battle scenes rival films like Gladiator, and there are several kick-ass women characters. Mirchi is my second favorite Telugu film I’ve seen so far, also starring Prabhas with Sathyaraj (Kattappa in Baahubali). It’s so long to wait till 2017 for part 2 of Baahubali!!